MEE audio Professional MX1 PRO Advanced Dynamic Driver Musician's in Ear Monitor Headphones with Balanced Sound, Noise Isolating Earbuds Earphones with Memory Wire, Detachable Cables, Transparent

Perfect for my need which is an audio setup when riding a motorcycle while wearing a helmet. They are snug, low profile with little protrusion that causes no pressure from the helmet. Additionally, the wrap-around wiring of each bud helps them stay in place when removing the helmet.Sound quality is great especially with the challenging environment of wind and motor noise that comes with riding.The biggest challenge is interacting with the button feature (pause /skip track / back track) it is small and is a relatively hard press. Additionally there is not a volume level control.All in all a great value for the money in my experience.

DON'T BUY THE HYPE. I cannot believe these have a 5 star rating.I've tried about 30 IEM's over the past few months in an effort to find some for both my work and an incredibly demanding personal scenario. I've tried everything from the $20 KZ's to the nearly $300 Shures (trying not to go crazy on price in case I like them. I didn't even go near the $500-1500 stuff). These are flat out terrible.Here's what happened. MEE, your run of the mill 'chifi' as far as I can tell, had some success stealing some of the market away from the SE 215. So they thought to themselves "we need a set of IEM's to sell for $150 and $200" and proceeded to do just that. However, their development was the problem. They took a poorly tuned driver and armature set, about what you'd expect in a $30-50 dollar bud, and then threw in an extra cable, a decent case (finally - almost no chifi's do cases), a sample of Comply tips, an 1/8 to 1/4 adapter, a few cable clips and said, "Hey, we made it to $150 of value!". Because it seems that's what these generic companies think constitutes value, a bunch of run of the mill extras thrown in with a bland an poorly balanced IEM.So, the sound. I tested these across live mixing and monitoring applications and with a variety of media (music, gaming, shows, etc.) - keeping the media constant throughout all my testing (same stuff each time). These were bloated and messy in the mids and very dark sounding. They had a huge dip between 1k and 8k with a small spike about 5k, but then the 10k-14k was boosted pretty strong. What this translates too is that they sound very dark overall, but then certain items like cymbals come through crystal clear. Its a very weird tuning.Lows: boosted below 60 HZ (low dominant sound profile)Mids: like rolling hills, seemed like each octave of 200 (400, 800) had a bit more focus and energy with dips in between. The mids were all over the place, uneven, and sounded very poor.Highs: As mentioned, these sounded very dark except for content above 10K which sounded oddly clear.What's the issue here? Crossovers. Its the Achilles heel of all chifi IEM's. They throw a billion drivers or armatures in there and don't bother to tune anything - you are their R&D after all. That means every crossover (where one driver fades out while another fades in across the frequency spectrum) will be a weak point and either suffer tonal intelligibility or be boosted in volume. These were a total mess.And finally, the make or break for me - these could not be used critically at almost any frequency. You could to a tiny bit of critical work right at 500hz or 1k but THATS IT! They performed at a sub $40 level here. What I mean by this is test is that when using them to solo instruments (kick, bass, vocal, guitar, etc.) boosting or cutting a narrow frequency band and then sweeping the frequency up and down the range yielded no intelligible result. You could boost up to 10-15db at a given frequency without being able to hear what you were doing. I'm not saying the sound didn't change at all, but all you could hear was 'energy'. There was no tonal center or focus. You couldn't hear 300hz being boosted and sweeping up and down. This is absolutely essential for mixing and really anything critical. I'm not sure what causes headphones like any Shures above the 215 to be able to do this flawlessly and others not, but its a big deal. And I wanted to hate on the Shures going into my testing too.Besides being an audio guy I'm also a musician and do various other audio-related things. Here are my recommendations for alternatives if doing anything critical (mixing, eq, editing, transcribing, production, etc.) is important to you:The best: SE 315 - insanely good. I'm not sure why all the bad reviews, these are extremely hard to beat. Tad pricey. (also, use the black foam tips - silicone sounds like trash on the Shures)SE 425 - better for live IEM use, slightly less bass than 315, more mid push and detail, highs are fine but sound recessed due to mids - I didn't get to test them as IEM's from the musician standpoint but I'm guessing they'd be great. Expensive though.SE 215 LTD/SPE - the special edition. Its far more balanced than the regular 215 but the lows can get fatiguing. Its also bigger slightly so that may be an issue. I wouldn't even bother with the regular 215 against these (unless you play synth or accordion).Cheapo alternative - CCA C10. One of the only low-cost IEM's I recommend to people. Criticially they are a mess, but they are just good enough on enough fronts to be worth the cost - especially if you buy them from AliExpress for $23.Just don't buy these, its a huge waste of money from a company that doesn't respect the needs of professionals and just want's to literally sell anything to siphon off from the $150 market.

The cabling is very solid, and the ear pieces themselves are tough. The sound is very good too. The downside is that in order to completely cancel out sound you have to jam the earbuds in perfectly, and if you are moving around that is nearly impossible. As a camera operator for sports broadcast, it’s imperative to block out crowd noise, and they just fall short, no matter what silicone tip I have put on to fit my ears.

I cannot say enough great things about the MX4’s. I’m a musician and it’s the first time I’ve used IEM’s. I play several instruments and have a degree in Music Business. However, I’m a vocalist at my church and I used some the church let me borrow and they weren’t comfy and the sound was distorted. They no longer provide those because they break. I used my new MX4’s from 8:30-12:45 on Sunday and the noise cancellation and sound quality were wonderful. I could hear every note crystal clear, feel the bass, and the vocalists voices rang true. It was as if I had nothing on and was in a studio.I love that they adjust behind my head and I could clip them. I loved the adjustable wire. I used the foam cushion ear pieces and they were comfy.What’s even better is the warranty, you pay half to replace them if they get stolen/lost, or you step on them etc, and because they’re modular, you can replace and upgrade parts when and if you need to.I compared many brands and read countless reviews. These live up to the hype and I feel that even though these are their higher end models, they’d easily be worth twice as much in other known name brands. They include everything you need and are really well made!Also, can I just say the customer service is out of this world?! I went ahead and ordered the custom ear pieces. I included a picture of what the molds look like from an audiologist. For a pic of the custom ear tips, go on their site. You send Mee the pics of the molds and then send them over to be scanned by them. I got the molds done today, cost me $40, emailed the pics, and already got approved by Mee today, fast response!I’ll be using them as regular headphones with the included extra wire with the mic and for gigs with the original wire.I highly highly recommend these. The other musicians at my church are already wanting to buy some for themselves because they were impressed with mine, they were complaining on how their’s are messed up and they paid like $90! If you can’t do the $199 right now, you can start with one of the other pro models and work your way up but if you have the money, I’d go for these bad boys, you definitely won’t be disappointed!

I had a set of m6 pro's that I used for in ear monitoring as a drummer and thought they were excellent for about 7 years until they fell apart For an extra £32 these are on a different level! The bass is *almost* too much (you can't really have too much bass though, right?!) Exceptionally comfortable, and all the extra garb that comes with them is hard to see how they make a profit!

Los uso para el piano y monitores, las voces y las guitarras se escuchan muy clarito :)

I have used MEE - Audio previously with their M6 Pro, and they were brilliant. Being a drummer I thought the MX2s would fit the bill. Sadly they didn't. The MX2s are very muggy sounding, clarity has been replaced with a thin layer of mud. MEE claims the MX2s are more suited to drummers, this is not true, we drummers require clarity too. I am now using Sennheiser IE 100 Pro, these are approximately the same price as MX2s but with a far superior sound. With the IE 100 Pro, just get your monitor person to adjust the kick in the monitor mix for you and hey presto! Beautiful!

pour des in ears de ce prix la qualite n,est pas la du tout. ca ne vaut pas le prix,, le son est pas mieux que mes kz a 60 dollars ,

Meilleur compromis prix.Ayant essayé avec mon téléphone via tidal le son est vraiment pas mal même si c'est pas son utilité type de traitement audio.Avec mon shanling mx2 c'est tout autre niveau toujours avec la même platforme d'écoute.Avec du master audio.Dean Martin par exemple on entend très bien les instruments large champ ce qui m'a impressioner c'est Connie Francis niveau vocal sa tape haut sans que ce soit strident.Dubstep Dj Borgore très bonne basse pas envahissantes.C'est ma première écoute sans rodage brut de décoffrage.Ça va se bonifier avec le temps.Pour le prix vous pouvez les acheter.Point noire d'où l'étoile en moins câble propriétaire, coque resine.Je chipote un peux.