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🎛️ Elevate your mix with precision compression that sounds as natural as your ears expect.
The dbx 266XS is a professional 2-channel compressor/gate featuring stereo operation, natural RMS level detection, and advanced OverEasy compression with AUTO mode. It offers versatile XLR and 1/4" I/O options in a compact 1U rack design, delivering transparent dynamic control ideal for studio and live sound environments.
| ASIN | B004NDFRVC |
| Amazon 売れ筋ランキング | 楽器・音響機器 - 49,324位 ( 楽器・音響機器の売れ筋ランキングを見る ) エフェクター・プロセッサー - 145位 |
| GTIN (Global Trade Identification Number) | 00691991401244 |
| UPC | 634644980345 600599645592 691991401244 632317252331 795871255870 |
| おすすめ度 | 4.5 5つ星のうち4.5 (264) var |
| ハードウェアインターフェイス | 1/4インチオーディオ |
| ブランド名 | DBX |
| メーカー名 | dbx |
| メーカー型番 | DBX0112 |
| 品目寸法(L x W x H) | 14.6長さ x 48.3幅 x 4.4高さ cm |
| 商品の重量 | 6.6 ポンド |
| 商品本体サイズ | 48.3 x 14.6 x 4.4 cm |
| 商品種別 | エフェクター・プロセッサー |
| 型番 | DBX266XSV |
| 電圧(ボルト) | 9 ボルト |
| 電流 | 300 ミリアンペア |
| 音声出力効果 | コンプレッション |
評**ん
楽器やで買うよりかは安いです。
使用していても特に問題はありません。
S**君
私も初めてです。
私も初めてです。最近は、DTMのパートの数が、増えて、30パート位以上になると、pとffの差が、極端になり、録音の際、どうしても、歪んでしまいます。と言って、普通に録音すると、Pのパートが、しょぼくなります。実際、そのままでスピーカーから鳴らす分には、演奏者?としては、okなのですが、是非、聞かせてと言う人のために、CDに焼けつける為に、購入しました。大雑把にミキサーから、何通りか、オートで、レシオをためして、録音したところ、音質が、落ちる事なく、使える事が、わかりました。でも、この機材を使いこなすには、奥深い物かもしれませんが、買って、大正解かもしれません。ありがとうございました。
豊**雪
NHK大河ドラマの暴力的ダイナミックレンジの広さ
暴力的なまでのNHK大河ドラマのダイナミックレンジの広さを押さえるために購入。 設置したおかげで、片手にリモコン・ボリュームで絶えず音量調整していた煩わしさから解放された。 スピーカーから出る音量がフラットになり、ストレスから解放された。 音ががフラットになって変化したのは、より物語に集中でき内容が理解できるようになったことに驚いている。
佐**元
なにごとも勉強
コンプレッサーは初めて購入しているまだ使いこなせていない
K**O
ダメ。
商品説明では美品でしたが商品到着後開封、セッティングし試しましたが、故障ではケーブルも変えて試しましたが、1ch全く反応しません。 しかも、前の所有者の目印でつけたシールもそのまま簡易クリーニングもしてないのでは。
A**ー
初めてのコンプレッサー
コンプレッサーのかかり具合に満足しています。音も綺麗でした。 ラック型を選んで正解でした。
N**E
It's a dbx and it works
Gate works well for very quite bleed not so much for average bleed, the compressor works well and transparent. No complaints about the build quality it feels more expensive than it is. Overall a good buy a better compressor would be 3 times the price and I would probably question the build quality of those. For a budget starter compressor a definite buy (if you know how to use compressors and gates). You can hear the DBX 160 sound (when pushed) that you get in the Plugin versions of DBX. Nothing to write home about but for a first compressor, it is a bargain from a big name in the industry and likely to stay in the rack even after buying more expensive gear.
D**.
Compresor dbx 266xs
Recomendable buen equipo buen producto tiene una fidelidad de audio tremendo son bueno llego antes de la fecha mencionada
J**O
Excellent value for the money.
These compressors work very well. My application is probably not the usual one because I'm not using these for recording or studio work, although I can see how they'd be excellent, especially for digital recording where you absolutely must prevent clipping in the recording process. In my case, I got tired of never being able to understand the quiet dialog when watching TV or movies at home without setting the listening levels so high that it was annoying during the loud scenes. This is related to why I never go out to see movies at a movie theater. When you need hearing protection to avoid hearing damage, that's not my idea of entertainment, and certainly not entertainment I have to pay for! With some custom built cables, I connected one of these units between the audio outputs of our TV and one set of inputs to our receiver while allowing the "straight" TV Outs to feed another input pair on the receiver. When watching shows that are already highly compressed, we can switch to the "straight TV" inputs, but when watching many movies, and lots of newer TV shows, we can switch to the "compressed TV" inputs and enjoy being able to hear and understand the quietest dialog while preserving our hearing during the loud scenes. Of course, you may still need to use the closed captioning to decipher the "English" spoken during many BBC productions, but the compression does help there, too! ;) In this application, I am not using the downward expansion (noise gating) at all because noise reduction in the quiet parts is not really needed. I am using the "over-easy" function, and the automatic setting of the attack and release time constants, and find that all to work very well, keeping the sound quite natural despite the fairly heavy-handed compression I have dialed in. In addition, the ability to link the two channels so that the RMS sum of the signal levels into the two channels determines the compression applied to both channels simultaneously is very handy, and I have that engaged as well. My wife and I really are enjoying this setup and it's made our TV viewing much more pleasurable. I'm using a second one of these compressors to process the audio from a police scanner to bring the quiet talkers' voice levels way up so they can be heard while keeping the normal and loud talkers from blasting our ears off. That signal, too, can be selected as one of the inputs to the receiver. Without the compression, it would be downright dangerous to feed the audio from such a source into a good audio system for fear of what kinds of horrible noises might be fed, at high power, through your "good" speakers. Again, for this channel, I am using the automatic attack/release timing switch, which seems to work very well, choosing the right attack and release time constants to make for good intelligibility without pumping or subjecting us to bursts of loud noise. It's very tame, indeed. And as with the TV system, I am not using the downward expansion/noise gating function. When the radios are unkeyed, the output is pretty much silent anyhow. In this scanner system, I am not using the "over-easy" function because I want a sharper cut-off transition to really bring up the very soft talkers while holding the loud sounds (Plectron alerts and the like) down to sane levels. This source doesn't need to sound "natural". In general, I'm not a huge fan of compression of music during playback. I want to hear the full dynamic range that the orchestra conductor and recording engineer wanted me to hear. But then, when I listen to music, it's under controlled conditions, in a quiet room, and I am free to turn things up to whatever level I prefer. However, I can see how some compression might be handy for such cases as listening in a car, where you've already got 75dB or so of road noise to overcome, or during a party or get-together where people will want to hold conversations, yet might want some background music. And, of course, for recording, particularly live performances where the artists may get a bit over-enthusiastic during the real performance and play louder than they did during reherasals/sound checks, I can see where having some compression set up could really save the day and prevent a recording from being totally spoiled. Not to mention the obvious guitar sustain or other effects possible with a compressor. Anyhow, I've been running these for a month and a half, and have had no problems or issues of any sort. They've been reliable so far, and perform the functions I need quite well. And I felt that the price was quite reasonable for what you get. The controls feel solid, the build looks very nice, the connectors seem reliable, etc. And the various displays are very handy for setting levels and knowing where you're at. This unit seems like a solid, well thought-out design.
P**T
DBX est une référence en la matière.
Excellent compresseur, facile à utiliser et très efficace.
M**S
La calidad
DBX es una gran marca. Este es para directo, pero llevo mucho tiempo usandolos en mi estudio de grabación y puedo decir que parte de la discografia española la he grabado con estos procesadores de señal. Gracias a Amazon, podemos diponer de este tipo de material a muy buen precio y sin salir de casa.
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