---
product_id: 6483279
title: "Back In Black"
price: "16806 Ft"
currency: HUF
in_stock: true
reviews_count: 13
url: https://www.desertcart.hu/products/6483279-back-in-black
store_origin: HU
region: Hungary
---

# Back In Black

**Price:** 16806 Ft
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Back In Black
- **How much does it cost?** 16806 Ft with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.hu](https://www.desertcart.hu/products/6483279-back-in-black)

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- Customers looking for quality international products

## Why This Product

- Free international shipping included
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## Description

Vinyl LP pressing. 2003 digital re-master of the Australian rockers' seventh album. Released in July, 1980, Back in Black was the first AC/DC album recorded without former lead singer Bon Scott, who died in February of that year. Back in Black was the first album to feature vocalist Brian Johnson, formerly of Geordie. Producer Robert John "Mutt" Lange, who had previously worked with AC/DC on Highway to Hell, was again brought in to produce. The album was recorded at Compass Point Studios in Nassau, Bahamas, and Electric Lady Studios in New York, where the album was also mixed.

Review: A must for any ACDC fans... - Great album. Came in a protective sleeve and had no deformities. Album played extremely well. This was a great purchase
Review: Are Ya Deaf, Ya Wanna Hear Some More? - February 19 1980. AC/DC's legendary lead singer Bon Scott chokes to death in the back of his car following a typical all-night drinking spree in London. The challenge faced in replacing a band member is always problematic. Replacing a lead singer is hardest of all, because a singer embodies the band's attitude, image and music, and few singers have personified their band's music like Bon did. Angus and Malcolm Young, guitarists and founders of AC/DC, faced a huge task in replacing Bon. It would've been easier to call it a day, but the notoriously dogmatic brothers were not going to back down from a fight. They were never going to try to find a copy of Bon, because it was too hard and would've been the end of their image. They opted for a man with a husky, gritty voice who wouldn't try to completely fill the void, but partially fill it so that Angus, whose stage act was to act convey a possessed, frenzied imp, could expand his role further. That man was Brian Johnson. His onstage persona was simple: he wore a flat workman's cap and blue jeans, put punch and rasp into every word and shuffled around with arthritic grace. He was genuinely the perfect choice. And so they made Back In Black: half a tribute to Bon, half a defiant slam back into the business. Back In Black opens with a lone, eerie church bell, clanging slowly and murkily. After five tolls, Angus stalks in, carrying his slow, menacing Grim Reaper riff. The drums enter, one at a time and slow, like the footsteps in a horror film. This is ‘Hells Bells’-AC/DC’s best song with one of the greatest rock intros ever. The explosive lyrics, Brian says, came to him on a stormy night, and he just didn’t stop or think about him: just wrote them was if he was possessed. He implies that it was Bon, beyond the grave, leaving his legacy to paper by writing some of the best damn lyrics AC/DC would make. It wouldn’t be an AC/DC album without some risqué, unsubtle, single entendre songs, and ‘Givin’ The Dog A Bone’ takes out the title of dirtiest song on Back In Black, followed by the blatantly self-explanatory ‘Let Me Put My Love Into You.’ Both have some delicious riffs, the later in particular with a sinister intro. ‘Shoot To Thrill’, the second song on the album, has its lyrics drowned by some astonishingly precise work by the Youngs. This is the best example of their immaculately locked, in time guitar work: each responds to the work of each other without missing a beat. The title track is one of AC/DC’s most well known songs. My defining memory of it is turning it up as loud as I could, then scurrying for cover as Phil Rudd counted off, sounding like the final few seconds of a bomb timer. The iconic riff then exploded out. It is strutting and bad; it is everything that people love about AC/DC: that small, wicked part in everyone that appreciates straight-up, no fuss rock. ‘You Shook Me All Night Long’, one of five songs ‘Back In Black’ that became radio staples, is about as close as AC/DC ever came to a love song, which is another example of their astonishing ability to doggedly stick to their own style for thirty years, ignoring trends, and remaining successful. It’s a magnificent anthem live, with Angus’s famous, phrased solo and the chant of the chorus ringing out loud and long. The tough bar room ditties ‘Shake A Leg’ and ‘Have A Drink On Me’ are followed by the sneering anthem to AC/DC’s critics, and the critics of all hard music, ‘Rock n Roll Ain’t Noise Pollution,’ with the hazy hangover riff and the thudding chorus, the fifth radio hit off the album. Back In Black is, at the least, one of the most remarkable albums of all time. To recover from the blow that they suffered and deliver their most powerhouse album was an astonishing effort. In doing so, they produce the blueprint for hard rock artists for decades to come: keep it simple and then crank it up.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B0000CF35G |
| Best Sellers Rank | #4 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) #1 in Album-Oriented Rock (AOR) (CDs & Vinyl) #1 in Blues Rock (CDs & Vinyl) #1 in Arena Rock (CDs & Vinyl) |
| Customer Reviews | 4.8 4.8 out of 5 stars (16,326) |
| Date First Available  | November 22, 2006 |
| Is Discontinued By Manufacturer  | No |
| Item model number  | 69699802071 |
| Label  | Legacy Recordings |
| Language  | English |
| Manufacturer  | Legacy Recordings |
| Number of discs  | 1 |
| Original Release Date  | 2003 |
| Product Dimensions  | 12.2 x 12.2 x 0.2 inches; 11.2 ounces |
| Run time  | 41 minutes |

## Images

![Back In Black - Image 1](https://m.media-amazon.com/images/I/71s6glEqRyL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ A must for any ACDC fans...
*by G***I on December 11, 2025*

Great album. Came in a protective sleeve and had no deformities. Album played extremely well. This was a great purchase

### ⭐⭐⭐⭐⭐ Are Ya Deaf, Ya Wanna Hear Some More?
*by C***E on October 9, 2017*

February 19 1980. AC/DC's legendary lead singer Bon Scott chokes to death in the back of his car following a typical all-night drinking spree in London. The challenge faced in replacing a band member is always problematic. Replacing a lead singer is hardest of all, because a singer embodies the band's attitude, image and music, and few singers have personified their band's music like Bon did. Angus and Malcolm Young, guitarists and founders of AC/DC, faced a huge task in replacing Bon. It would've been easier to call it a day, but the notoriously dogmatic brothers were not going to back down from a fight. They were never going to try to find a copy of Bon, because it was too hard and would've been the end of their image. They opted for a man with a husky, gritty voice who wouldn't try to completely fill the void, but partially fill it so that Angus, whose stage act was to act convey a possessed, frenzied imp, could expand his role further. That man was Brian Johnson. His onstage persona was simple: he wore a flat workman's cap and blue jeans, put punch and rasp into every word and shuffled around with arthritic grace. He was genuinely the perfect choice. And so they made Back In Black: half a tribute to Bon, half a defiant slam back into the business. Back In Black opens with a lone, eerie church bell, clanging slowly and murkily. After five tolls, Angus stalks in, carrying his slow, menacing Grim Reaper riff. The drums enter, one at a time and slow, like the footsteps in a horror film. This is ‘Hells Bells’-AC/DC’s best song with one of the greatest rock intros ever. The explosive lyrics, Brian says, came to him on a stormy night, and he just didn’t stop or think about him: just wrote them was if he was possessed. He implies that it was Bon, beyond the grave, leaving his legacy to paper by writing some of the best damn lyrics AC/DC would make. It wouldn’t be an AC/DC album without some risqué, unsubtle, single entendre songs, and ‘Givin’ The Dog A Bone’ takes out the title of dirtiest song on Back In Black, followed by the blatantly self-explanatory ‘Let Me Put My Love Into You.’ Both have some delicious riffs, the later in particular with a sinister intro. ‘Shoot To Thrill’, the second song on the album, has its lyrics drowned by some astonishingly precise work by the Youngs. This is the best example of their immaculately locked, in time guitar work: each responds to the work of each other without missing a beat. The title track is one of AC/DC’s most well known songs. My defining memory of it is turning it up as loud as I could, then scurrying for cover as Phil Rudd counted off, sounding like the final few seconds of a bomb timer. The iconic riff then exploded out. It is strutting and bad; it is everything that people love about AC/DC: that small, wicked part in everyone that appreciates straight-up, no fuss rock. ‘You Shook Me All Night Long’, one of five songs ‘Back In Black’ that became radio staples, is about as close as AC/DC ever came to a love song, which is another example of their astonishing ability to doggedly stick to their own style for thirty years, ignoring trends, and remaining successful. It’s a magnificent anthem live, with Angus’s famous, phrased solo and the chant of the chorus ringing out loud and long. The tough bar room ditties ‘Shake A Leg’ and ‘Have A Drink On Me’ are followed by the sneering anthem to AC/DC’s critics, and the critics of all hard music, ‘Rock n Roll Ain’t Noise Pollution,’ with the hazy hangover riff and the thudding chorus, the fifth radio hit off the album. Back In Black is, at the least, one of the most remarkable albums of all time. To recover from the blow that they suffered and deliver their most powerhouse album was an astonishing effort. In doing so, they produce the blueprint for hard rock artists for decades to come: keep it simple and then crank it up.

### ⭐⭐⭐⭐⭐ GREAT MUSIC
*by H***T on November 10, 2025*

AC/DC = fun and great music. Love this CD. Love AC/DC.

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---

*Product available on Desertcart Hungary*
*Store origin: HU*
*Last updated: 2026-01-28*