---
product_id: 629664608
title: "KZ ZSN Pro 2 in-Ear Monitors Headphones Metal Earphones 1BA+1DD Hybrid Technology HiFi Bass Clear Sound IEMs Noise Cancellation Earbuds Wired for Musicians Singer Audiophile(Silver,No Mic)"
brand: "h hifihear"
price: "30687 Ft"
currency: HUF
in_stock: true
reviews_count: 5
category: "H Hifihear"
url: https://www.desertcart.hu/products/629664608-kz-zsn-pro-2-in-ear-monitors-headphones-metal-earphones
store_origin: HU
region: Hungary
---

# 1DD+1BA hybrid drivers Detachable silver-plated OFC cable Zinc alloy metal shell KZ ZSN Pro 2 in-Ear Monitors Headphones Metal Earphones 1BA+1DD Hybrid Technology HiFi Bass Clear Sound IEMs Noise Cancellation Earbuds Wired for Musicians Singer Audiophile(Silver,No Mic)

**Brand:** h hifihear
**Price:** 30687 Ft
**Availability:** ✅ In Stock

## Summary

> 🎶 Elevate your sound game — because your ears deserve the VIP treatment.

## Quick Answers

- **What is this?** KZ ZSN Pro 2 in-Ear Monitors Headphones Metal Earphones 1BA+1DD Hybrid Technology HiFi Bass Clear Sound IEMs Noise Cancellation Earbuds Wired for Musicians Singer Audiophile(Silver,No Mic) by h hifihear
- **How much does it cost?** 30687 Ft with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.hu](https://www.desertcart.hu/products/629664608-kz-zsn-pro-2-in-ear-monitors-headphones-metal-earphones)

## Best For

- h hifihear enthusiasts

## Why This Product

- Trusted h hifihear brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **All-Day Comfort Fit:** Ergonomically designed earbuds ensure fatigue-free wear during long studio sessions or marathon streaming.
- • **Noise Isolation Mastery:** Superior passive noise cancellation lets you focus on your craft or playlist, blocking distractions effortlessly.
- • **Plug & Play Versatility:** Detachable silver-plated cable enhances durability and signal clarity, compatible with all your devices for seamless use.
- • **Concert-Level HiFi Sound:** Experience crystal-clear, immersive audio with professional hybrid driver tech that captures every detail like you're front row.
- • **Durable & Stylish Metal Build:** Sleek zinc alloy shell with scratch-resistant multi-layer faceplate for a premium look that stands out without shouting.

## Overview

The H HIFIHEAR KZ ZSN Pro 2 are wired in-ear monitors featuring a hybrid 1 dynamic + 1 balanced armature driver setup for high-fidelity sound with deep bass and clear mids. Crafted with a durable zinc alloy metal shell and equipped with a detachable silver-plated OFC cable, these earbuds offer both style and longevity. Designed ergonomically for extended comfort, they provide excellent noise isolation and compatibility across smartphones, laptops, and gaming consoles, making them ideal for musicians, audiophiles, and professionals seeking premium audio on the go.

## Description

KZ ZSN Pro 2 In-Ear Monitors

Review: Following on from the recent release of the BL-05s and the purple BL-03, BLON now offers the BL-T3. Sporting a new 11mm dynamic driver and a "Diamond mirror" finish, it is priced in the more affordable end of the price range. It has non-detachable cables which are worn cable down and comes in a choice of silver or gunmetal colours. The earpieces are teardrop-shaped and have a long "stalk" out of which the cable emerges. There is channel identification on the inner surface and four small vents along the top of the earpiece. There is a straight metal 3.5mm plug marked with a BLON logo and an in-line microphone and there is no chin slider. The new 11mm dynamic driver has a composite diaphragm and a CCAW coil. The quoted impedance is 16 ohms with a sensitivity of 108dB. The earphones come presented in a small rectangular box similar to that supplied by KZ, CCA, etc., but it has a clear lid bearing the now famous BLON acronym, BELIEF, LET MUSIC BURN, OPPOTY, NEVERGIVEUP, and below, "Annotation and Driams". The box contains: * BL-T3 earphones with fixed cable * Three pairs grey silicone tips, medium bore * Two pairs conical silicone tips (S, M) * Velcro cable tie * Documentation It is a fairly basic presentation but acceptable at the price. The BL-T3's fit was similar to the BL-03 in that the short nozzles, smooth and shiny finish and weight distribution resulted in some insecurity. The pre-fitted conical tips afforded little grip and it was necessary to fit the largest of the wide bore tips to ensure the IEMs remained in place. However, the cable down wearing style did help here. Isolation was not perfect but it was adequate. The BL-T3 was tested using an Xduoo X20 DAP. A burn in time of 100 hours was carried out. Initially the sound was heavily biased towards the low frequencies with powerful sub bass, a lift in the mid bass and a significant roll-off in the treble. After burn in and having changed the tips to Spiral Dots, the upper frequencies improved. The profile was now V shaped with recessed mids. There was still limited treble extension, a slightly thin quality to the upper mids and lower treble and also occasional sibilance. The detail retrieval was modest with a somewhat distant feel to the presentation and soft transients. Bass The bass was probably the best feature of the T3. Sub bass was fairly elevated with a gentle attack. Mid bass was more prominent and did bleed a little into the mids. Alexei Zakharov's "Above the Stars" has a deep bass foundation and this did dominate the track with the details in the upper frequencies overpowered. There was good texture and the ambience of the piece was well-rendered with the reverb possessing plenty of space. "Castilla" from "Suite Espanola" by Albeniz, conducted by Rafael Fruhbeck de Burgos is a lively transcription with brilliant orchestration. The orchestral bass drum showed nice timbre and good impact but perhaps with a softened initial strike. There was a warmth to the overall presentation which, although attractive, was perhaps not totally natural. In "Cluster One" from Pink Floyd's "Division Bell" the atmosphere of the introduction was well-handled. Rick Wright's keyboard drone was nicely textured but Nick Mason's impressive bass drum did lose a little impact with the transients being soft. Mids As befits a V shaped profile, the mids were recessed. The lower mids suffered from a little bass bleed but timbre was good and not dissimilar to the BL-03. The upper mids were less impressive, lacking detail and impact, and the presence region was subdued. There was occasional sharpness in the upper mids/lower treble. Reinhold Lakomy's "Capoliveri" from the album "Aer" lost some of its appeal with the strong melody softened by the bass bleed and recessed mids. There was a distant feel to the production which could have benefited from being pushed forward a little. "Morning" from "Four Sea Interludes" by Britten also would have improved with a bit more bite. The syncopated introduction with strings, brass and woodwind was softened and although the timbre was generally authentic, Andre Previn's wonderful performance lost a little of its excitement. The vocal projection in Al Stewart's "On the Border" from "Year of the Cat" was somewhat set back and did display some sibilance. The string and guitar accompaniment was pleasantly depicted but the castanet details were not as crisp as they could have been and the soft nature of the presentation robbed the track of some life. Treble The treble was quite reserved and "polite" with a reduced amount of detail. There was a lift in the mid-treble after which it rolled off quite rapidly resulting in a lack of "air". Surprisingly, taking this into account, the soundstage was quite spacious. "World of Colours" is an inventive and melodic album of electronic music by Alexey Sobol. The title track contrasts a solid bass foundation with colourful flourishes in the treble. The bass dominated once more affecting the balance of the piece. Timbre was once more very good but the detail in the treble was not as prominent as it could have been. The fine details of the drums and percussion in Jacques Loussier's version of Bach's "Air on a G String" were more difficult to discern with the delicate brush work largely missing in action. The upper notes of the piano were more forward with occasional harshness on climaxes. The piece did lose a little of its coherence as a result. Dave Brubeck's "Unsquare Dance" fared better with the handclaps and rim work on the drums more forward than expected. The infectious rhythm was nicely presented and this was a very enjoyable track. The balance here was much better with perhaps only a small reduction in transient attack which slightly blunted the urgency of the performance. Soundstage Considering the recessed mids and polite treble, I was expecting a poor soundstage but was pleasantly surprised. There was plenty of space with a spherical staging and a good reproduction of hall ambience. Frank Bridge's beautiful "There is a Willow grows aslant a Brook" received a wonderful reading in the recording by the Bournemouth Sinfonietta. The atmosphere of the recording venue is particularly well captured in this version and the BL-T3 reproduced this authentically. The orchestral placing and Norman del Mar's subtle direction were realistically conveyed. "Antarctic Echoes" by Vangelis is an electronic soundscape with a particularly open staging. The BL-T3 did well here, with good height and depth and perhaps just a little less width. The reverberating electronic effects decayed nicely and the atmosphere of the piece was nicely preserved. There was some harshness in the upper mids which cut through. "Riu Riu" is a 1978 single by Chorale. It begins with a drum and gentle female vocals. Gradually the production builds with male vocals, percussion and deep synthesised bass. The spatial qualities of the recording came over nicely on the T3 with climaxes well portrayed and the voices fading into silence at the conclusion. Comparisons The BL-T3 finds itself in a crowded marketplace. Below I list some excellent performers in this price range which offer a more accurate and lively sound. There is also the new BL-01 which I have not heard yet. CVJ's CSA is a dual hybrid which bucks the trend of affordable V-shaped models, instead presenting an accurate, well-balanced neutralish profile. Detail retrieval far exceeds that of the T3, with a faster more detailed bass, forward mids and a more extended top end. It has a detachable cable. The TRN M10 is another dual hybrid to consider. Worn cable down like the T3, it is very compact and comfortable. Its sound is well balanced with a gentle U or V shaping, good mids and once more, improved detail capability. Its detachable cable is a proprietary design. The KZ ED9 has to be a contender in this price range. A single DD, worn with its fixed cable down, it has a choice of tunings with its two tuning nozzles, the gold nozzle giving a bass-focused V shaping and the brass one producing a well balanced nicely detailed response. It is more dynamic than the T3 and is more fun in both its configurations. BLON's own legendary BL-03 at around twice the price is famous for its natural timbre and easy musicality. Like the T3 it does have a mid bass boost but is much better with detail and the treble is not as rolled off. It does have issues with fit, however, and many consider that the cable and tips need replacing. Conclusion The BL-T3 does some things well, and offers a relaxing, inoffensive sound. V-shaped with a bass emphasis, it does lack excitement due to its recessed mids, rolled off treble and soft transients but does have a good soundstage and a natural timbre not dissimilar to its big brother, the BL-03. Worn cable down, it does still have minor fit issues but a change of tips will solve this. The BL-T3 does struggle a little in comparison to its rivals in this price range which are more accomplished, but if you are looking for a relaxing, undemanding and affordable "plug and play" IEM, then this might just fill the bill.
Review: Incredible sound isolation. Good high bass and mids. Make sure if you have a iPhone with lightning port that you test a few 3.5mm converters female to lightning. Fantastic sound. No fatigue after hours. Tiny quality package that I think is worth way more = Sennheiser and friends.

## Features

- 【HiFi Sound Quality】ZSN PRO 2 wired earpods applied professional 1DD+1BA hybrid technology. This unit has evolved from the first-generation classic ZSN PRO unit, and carried out many improvements. ZSN PRO 2 has a stronger transient response, interpreting the on-the-spot experience of every detail. You will feel like you are at a concert as the immersive sound.
- 【Solid and Elegant Appearance】This monitor headphones sound cavity shell is made of zinc alloy,and the metal Face Cover is eye-catching.The faceplate adopts a multi-layer spraying process, which is non-slip and scratch-resistant,The design on each of the earbuds looks stylish without being too out there.
- 【Comfortable Ergonomic Design】In line with KZ commitment to ergonomic excellence, the in ear buds wired prioritizes comfort during extended streaming and performing sessions. The audio quality is clear and the earbuds feel comfortable to wear, even after a long period of use.
- 【Detachable Silver-Plated OFC Cable】The high-purity silver-plated wire cores significantly enhance the cable's conductivity and durability. Additionally, the parallel design between the main lines effectively reduces signal loss and noise interference, ensuring the integrity of audio signal transmission.
- 【What You Will Get? 】Package includes 1 pair kz zsn pro 2 iem earphones, 1* headphone cable, 3 pairs of silicone ear tips(S/M/L ear pads Included for a Perfect fit), kz zsn pro 2 in-Ears earphones headphones is suitable for musicians, singer, on stage, studio, gaming,drum, editting, video, chatting, show, church. Perfect for home, parties, school, Christmas gift, Thanksgiving day, Halloween. You will get one year warranty and friendly customer service from the date of purchase. if there have any issues, pls feel free to contact us, we will give you a reply asap and provide solution.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B0CS66K5Z3 |
| Age range (description) | Adult |
| Best Sellers Rank | 155,382 in Musical Instruments & DJ ( See Top 100 in Musical Instruments & DJ ) 258 in In-Ear-Monitoring Devices |
| Cable feature | Detachable |
| Compatible devices | Smartphones, Tablets, Laptops, Desktops, Gaming Consoles |
| Connectivity technology | Wired |
| Control method | Touch |
| Control type | Media Control |
| Guaranteed software updates until | unknown |
| Included components | 1x 2Pin Detachable Cables, 3 x Pairs of Earbud tips(S/M/L), User Manual |
| Item model number | KZ ZSN PRO 2 |
| Item weight | 65 Grams |
| Manufacturer | H HIFIHEAR |
| Material | Metal |
| Number of items | 10 |
| Package type | Standard package |
| Product Dimensions | 3 x 2 x 1 cm; 65 g |
| Specific uses for product | Music |
| Unit count | 1.0 Count |
| Water resistance level | Not Water Resistant |
| Wireless communication technology | Wired |

## Product Details

- **Brand:** H HIFIHEAR
- **Colour:** ZSN PRO 2 Silver
- **Ear placement:** In Ear
- **Form factor:** In Ear
- **Frequency response:** 40 KHz
- **Headphone jack:** 3.5 mm Jack
- **Impedance:** 26 Ohms
- **Model name:** ZSN PRO 2
- **Noise control:** Active Noise Cancellation
- **Sensitivity:** 108 dB

## Images

![KZ ZSN Pro 2 in-Ear Monitors Headphones Metal Earphones 1BA+1DD Hybrid Technology HiFi Bass Clear Sound IEMs Noise Cancellation Earbuds Wired for Musicians Singer Audiophile(Silver,No Mic) - Image 1](https://m.media-amazon.com/images/I/61tiqUi7j1L.jpg)

## Customer Reviews

### ⭐⭐⭐ Review
*by T***D on 26 November 2020*

Following on from the recent release of the BL-05s and the purple BL-03, BLON now offers the BL-T3. Sporting a new 11mm dynamic driver and a "Diamond mirror" finish, it is priced in the more affordable end of the price range. It has non-detachable cables which are worn cable down and comes in a choice of silver or gunmetal colours. The earpieces are teardrop-shaped and have a long "stalk" out of which the cable emerges. There is channel identification on the inner surface and four small vents along the top of the earpiece. There is a straight metal 3.5mm plug marked with a BLON logo and an in-line microphone and there is no chin slider. The new 11mm dynamic driver has a composite diaphragm and a CCAW coil. The quoted impedance is 16 ohms with a sensitivity of 108dB. The earphones come presented in a small rectangular box similar to that supplied by KZ, CCA, etc., but it has a clear lid bearing the now famous BLON acronym, BELIEF, LET MUSIC BURN, OPPOTY, NEVERGIVEUP, and below, "Annotation and Driams". The box contains: * BL-T3 earphones with fixed cable * Three pairs grey silicone tips, medium bore * Two pairs conical silicone tips (S, M) * Velcro cable tie * Documentation It is a fairly basic presentation but acceptable at the price. The BL-T3's fit was similar to the BL-03 in that the short nozzles, smooth and shiny finish and weight distribution resulted in some insecurity. The pre-fitted conical tips afforded little grip and it was necessary to fit the largest of the wide bore tips to ensure the IEMs remained in place. However, the cable down wearing style did help here. Isolation was not perfect but it was adequate. The BL-T3 was tested using an Xduoo X20 DAP. A burn in time of 100 hours was carried out. Initially the sound was heavily biased towards the low frequencies with powerful sub bass, a lift in the mid bass and a significant roll-off in the treble. After burn in and having changed the tips to Spiral Dots, the upper frequencies improved. The profile was now V shaped with recessed mids. There was still limited treble extension, a slightly thin quality to the upper mids and lower treble and also occasional sibilance. The detail retrieval was modest with a somewhat distant feel to the presentation and soft transients. Bass The bass was probably the best feature of the T3. Sub bass was fairly elevated with a gentle attack. Mid bass was more prominent and did bleed a little into the mids. Alexei Zakharov's "Above the Stars" has a deep bass foundation and this did dominate the track with the details in the upper frequencies overpowered. There was good texture and the ambience of the piece was well-rendered with the reverb possessing plenty of space. "Castilla" from "Suite Espanola" by Albeniz, conducted by Rafael Fruhbeck de Burgos is a lively transcription with brilliant orchestration. The orchestral bass drum showed nice timbre and good impact but perhaps with a softened initial strike. There was a warmth to the overall presentation which, although attractive, was perhaps not totally natural. In "Cluster One" from Pink Floyd's "Division Bell" the atmosphere of the introduction was well-handled. Rick Wright's keyboard drone was nicely textured but Nick Mason's impressive bass drum did lose a little impact with the transients being soft. Mids As befits a V shaped profile, the mids were recessed. The lower mids suffered from a little bass bleed but timbre was good and not dissimilar to the BL-03. The upper mids were less impressive, lacking detail and impact, and the presence region was subdued. There was occasional sharpness in the upper mids/lower treble. Reinhold Lakomy's "Capoliveri" from the album "Aer" lost some of its appeal with the strong melody softened by the bass bleed and recessed mids. There was a distant feel to the production which could have benefited from being pushed forward a little. "Morning" from "Four Sea Interludes" by Britten also would have improved with a bit more bite. The syncopated introduction with strings, brass and woodwind was softened and although the timbre was generally authentic, Andre Previn's wonderful performance lost a little of its excitement. The vocal projection in Al Stewart's "On the Border" from "Year of the Cat" was somewhat set back and did display some sibilance. The string and guitar accompaniment was pleasantly depicted but the castanet details were not as crisp as they could have been and the soft nature of the presentation robbed the track of some life. Treble The treble was quite reserved and "polite" with a reduced amount of detail. There was a lift in the mid-treble after which it rolled off quite rapidly resulting in a lack of "air". Surprisingly, taking this into account, the soundstage was quite spacious. "World of Colours" is an inventive and melodic album of electronic music by Alexey Sobol. The title track contrasts a solid bass foundation with colourful flourishes in the treble. The bass dominated once more affecting the balance of the piece. Timbre was once more very good but the detail in the treble was not as prominent as it could have been. The fine details of the drums and percussion in Jacques Loussier's version of Bach's "Air on a G String" were more difficult to discern with the delicate brush work largely missing in action. The upper notes of the piano were more forward with occasional harshness on climaxes. The piece did lose a little of its coherence as a result. Dave Brubeck's "Unsquare Dance" fared better with the handclaps and rim work on the drums more forward than expected. The infectious rhythm was nicely presented and this was a very enjoyable track. The balance here was much better with perhaps only a small reduction in transient attack which slightly blunted the urgency of the performance. Soundstage Considering the recessed mids and polite treble, I was expecting a poor soundstage but was pleasantly surprised. There was plenty of space with a spherical staging and a good reproduction of hall ambience. Frank Bridge's beautiful "There is a Willow grows aslant a Brook" received a wonderful reading in the recording by the Bournemouth Sinfonietta. The atmosphere of the recording venue is particularly well captured in this version and the BL-T3 reproduced this authentically. The orchestral placing and Norman del Mar's subtle direction were realistically conveyed. "Antarctic Echoes" by Vangelis is an electronic soundscape with a particularly open staging. The BL-T3 did well here, with good height and depth and perhaps just a little less width. The reverberating electronic effects decayed nicely and the atmosphere of the piece was nicely preserved. There was some harshness in the upper mids which cut through. "Riu Riu" is a 1978 single by Chorale. It begins with a drum and gentle female vocals. Gradually the production builds with male vocals, percussion and deep synthesised bass. The spatial qualities of the recording came over nicely on the T3 with climaxes well portrayed and the voices fading into silence at the conclusion. Comparisons The BL-T3 finds itself in a crowded marketplace. Below I list some excellent performers in this price range which offer a more accurate and lively sound. There is also the new BL-01 which I have not heard yet. CVJ's CSA is a dual hybrid which bucks the trend of affordable V-shaped models, instead presenting an accurate, well-balanced neutralish profile. Detail retrieval far exceeds that of the T3, with a faster more detailed bass, forward mids and a more extended top end. It has a detachable cable. The TRN M10 is another dual hybrid to consider. Worn cable down like the T3, it is very compact and comfortable. Its sound is well balanced with a gentle U or V shaping, good mids and once more, improved detail capability. Its detachable cable is a proprietary design. The KZ ED9 has to be a contender in this price range. A single DD, worn with its fixed cable down, it has a choice of tunings with its two tuning nozzles, the gold nozzle giving a bass-focused V shaping and the brass one producing a well balanced nicely detailed response. It is more dynamic than the T3 and is more fun in both its configurations. BLON's own legendary BL-03 at around twice the price is famous for its natural timbre and easy musicality. Like the T3 it does have a mid bass boost but is much better with detail and the treble is not as rolled off. It does have issues with fit, however, and many consider that the cable and tips need replacing. Conclusion The BL-T3 does some things well, and offers a relaxing, inoffensive sound. V-shaped with a bass emphasis, it does lack excitement due to its recessed mids, rolled off treble and soft transients but does have a good soundstage and a natural timbre not dissimilar to its big brother, the BL-03. Worn cable down, it does still have minor fit issues but a change of tips will solve this. The BL-T3 does struggle a little in comparison to its rivals in this price range which are more accomplished, but if you are looking for a relaxing, undemanding and affordable "plug and play" IEM, then this might just fill the bill.

### ⭐⭐⭐⭐⭐ Review
*by M***H on 31 August 2025*

Incredible sound isolation. Good high bass and mids. Make sure if you have a iPhone with lightning port that you test a few 3.5mm converters female to lightning. Fantastic sound. No fatigue after hours. Tiny quality package that I think is worth way more = Sennheiser and friends.

### ⭐⭐⭐⭐⭐ Review
*by M***N on 7 January 2026*

Ótima qualidade

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---

*Product available on Desertcart Hungary*
*Store origin: HU*
*Last updated: 2026-02-06*