The Film Director's Intuition: Script Analysis and Rehearsal Techniques

this book changed my life, my work as a director and pretty much everything. It deepened my work and gave me a really solid foundation and understanding of creative practice. Before this I thought that directing was about bossing people around, intimidation and power games, and creativity was about luck and hard work. Reading this book turned my world from black and while into color. I understood that directing is about connecting, honesty and true creativity, and that creative practice is about play, fun, life and permission to fail. Thanks Judith. Thanks so much. You're my hero.

I have just finished reading this hefty book and it is an awesome tool for any director, beginner or "experienced." I must admit I have done one of her directing classes and also read prior to this Judith's previous "bible #1" on acting and directing: "Directing Actors" which I also highly reccommend, so I'm somewhat biased, if you want to call it that. She is a spirited highly developed actress/ teacher of the craft of acting and directing. This book is well crafted, and written, deep and accessible, so full of amazing stuff it's a bible #2 (after her first book) to keep with you and refer back to at any time, especially if you're struggling with an actor or a scene as a director. To me she's THE authority and teacher on directing.

Art is impossible to define: we know when we experience it that we are in the presence of something extraordinary that communicates much more than the actual stuff it's made of. I'm neither an actor nor a director, but a writer trying to get a feel for what happens to the words - dialogue and action - once I've typed 'End of Play', and the work passes from my hands into those of the artists who'll bring it to life. Judith Weston's book is Art - so much more than just the print on the page - it's her thought, her knowledge and her gift of teaching - of communicating ideas and concepts that make this book one I'll keep referring to. No quick fixes; no 'ten-days to a better whatever' - be prepared to engage with this book, and your time and close attention will be rewarded.

A must for the aspiring Director!!! Judith Weston’s insight is invaluable!! Well worth every cent!!!

This book is an extraordinary, essential tutorial and rumination on the philosophy and practice of directing film actors. The only reason I give it 4 stars instead of 5 is that it essentially repeats the same thing her previous book (Directing Actors) said, albeit in new ways and with new depth. Read "Directing Actors" first, then I won't have to convince you to buy this one. You will know that every word from Judith Weston is solid gold, and not to be missed. Highly recommended, even if you have already read Directing Actors, as she really does go further and deeper here and presents a number of new insights and techniques that you won't want to miss.As the subtitle suggests, her focus here is largely on script analysis and rehearsal. Of course that was a lot of her focus in the previous book, too, and she does cover many of the essentials of directing and acting here as well. I do think the book could have been half as long and been better--she tends to take ten words to say what could have been said in four. But what words! If you direct or act in film or television, there is no excuse for not owning this book. Nobody in print can "get you there" better than Judith Weston, and you are sure to gain usable ideas and genuine insights again and again as you read this. I have taught film and video acting for years, and only wish I'd had this book and her other one when I started! If you want fake, affected performances and constant conflict with your actors, no reading necessary. If you're looking for solid ways to work with actors to give life-changing performances, read this. Now.

Judith's books were very informative not for just the novice, but also for the pros. Director's Intuition I have read over the years in hard copy and have taken The authors class in person among seasons Hollywood directors. The material just keeps growing with you, no matter your level of experience. Now I like to take it with me on my iPad.Terence Gordon

I cannot recommend this book enough. Judith is brilliant. I am a working director, and use her techniques on a regular basis. Both this book, and "Directing Actors" should be read and studied by anyone who calls themselves a director. Her books are to directing what Robert McKee's "Story" is to screenwriting.My only complaint is I wish the book was longer. Give me more!

I got this book as required reading for my one year acting for film conservatory I had to do a few papers on it and the thing I like the most about this book is the point of view of the director due to this I'm able to collaborate with them in a more productive way.

Très bien comme suite à son premier ouvrage que j'ai également très apprécié.

Excellent, thank you so much!

The book has been in very good hands, the book still looks quite new. I'm definitely satisfied. Delivey was in time.

Un libro assolutamente da leggere, pieno di consigli utili sul mestiere di regista e non solo! Questo libro è un must anche per gli attori, consente loro di vedere le cose dalla prospettiva del regista e rispondere meglio alle sue indicazioni. E' un libro che porterà su un altro livello la vostra capacità di analisi delle sceneggiature e dei film in generale! Stra-Consigliato!

I would definitely recommend this book to aspiring and professional filmmakers! It's a very quick and easy read. The concepts are straight-forward, but really make you think outside the box. Has helped me immensely!