The Blue Angel

For director Josef von Sternberg, he would be known for silent films such as "Underworld", "The Last Command" and "The Docks of New York", but for this Austrian-American film director, like many filmmakers who worked in the silent era, his career would be in question with the coming of the talkies.It was when he was invited to make a film in Germany that his life would change forever. In 1929, Sternberg would create a film known as "Der blaue Engel" (The Blue Angel) and he would later have a muse who would become one of the greatest actresses of all time... Marlene Dietrich. A film that is loosely based on Heinrich Mann's 1905 novel, "Professor Unrat" (Professor Garbage).As von Sternberg would return to America, Dietrich would follow as she would have a U.S. contract with Paramount Pictures and as Greta Garbo was the Swedish sensation, Dietrich would be the German sensation and together, she and von Sternberg would work on films such as "Morocco", "Dishonored", "Shanghai Express", "Blonde Venus", "The Scarlett Empress" and "The Devil is a Woman".But before she would excel in the later films with von Sternberg, it was her very first film with him "The Blue Angel" that would make her a movie star and a singer. Interesting enough, while a German version was filmed, von Sternberg also created an English version simultaneously but the latter would require refilming of certain scenes much later.While the English-language version has been released in the U.S. courtesy of Kino Video in its regular format and also included in the "Glamour Girls" DVD set, the German version is available only in "The Blue Angel: Special Two Disc Set".It is important to note that while "The Blue Angel" is known to many as a Marlene Dietrich film but even Dietrich herself was known to remind people that she was on the bottom of the list at the time and not top-billed because the actress was not known at the time.The film's star was Emil Jannings, the popular silent star who was in the 1922 film "Othello" and F.W. Murnau's "The Last Laugh", "Herr Tartuff" and in "Faust". The actor would be the first person to receive an Oscar which he won in 1929 for "The Way of All Flesh" (1927) and the 1928 film "The Last Command" (the only year when multiple awards were issued).But it was Marlene Dietrich would win people with her performance as Lola and would cement her career as a lead actress."The Blue Angel" revolves around Prof. Immanuel Rath (played by Emil Jannings), a professor at a local college in Germany. He is very strict and his wily students are known to make fun of him quite often. But it is when he catches the students with photographs from the beautiful Lola that angers him. Why would his students be wasting their time at a cabaret?When he goes to the cabaret one night to catch his students in the act, he runs into Lola Lola (played by Marlene Dietrich). Accidentally entering her changing room, some of the students are hiding and watching Lola Lola's interaction with the professor, as they see him as a sexually repressed man. The next thing you know, the Prof. is calmed around the cabaret singer. As Lola Lola is changing, she throws her undies out in which one of the students grab it and put it inside the Rath's front pocket.When Rath returns home, wiping off his sweat, he accidentally wipes uses her undies. Feeling ashamed that he may taken her undergarment back home with him, he returns back to the cabaret.But when people that work with Lola, especially Kiepert the magician (played by Kurt Gerron) feel that an esteemed professor has come to the Blue Angel, they give him the red carpet in hopes that they can attract other well-known people to their club.As for Rath, he has fallen in love with Lola Lola and no matter how badly the students tease him and make fun of him, he does not care. The students become such a distraction at the school that a fellow colleague tries to tell him that a person of his stature should not be with a woman like Lola but it is too late. Rath is in love, he wants to marry Lola and he could care less what anyone else thinks.And sure enough, Lola and Rath get married...but then we start to see the Prof. Rath's life crumble professionally and personally and see how people including Lola react around him. How a man's morality is lured to the life of immorality and is led to ruin and ridicule.VIDEO & AUDIO:Before I review this DVD for its PQ and AQ, I want to remind everyone that this is an older DVD released back in 2001.With that being said, considering "The Blue Angel" is a film that is over 80-years-old, I was pretty surprised to see this 1930 film in good condition. Considering that many 1920's nitrate films did not survive, many early talkie films did not survive and because of their bad audio, not many paid attention to those movies at all. But in the case of "The Blue Angel", sure you have dust and speckles, sure you have lines and occasional flickering but the fact that the complete film is intact and still manages to look quite good for a 2001 DVD is impressive.Granted, if Kino Lorber was to release this film today, with a better remastering, especially on Blu-ray, I don't think anyone will complain. The film looks very good on DVD and I can think of any newer remastering with a higher bitrate to be a positive.As for the audio, audio is clear and heard no major warbling or hiss for both films. Audio is presented in Dolby Digital 2.0 and once again, if this film was released with a lossless soundtrack on Blu-ray, I would be impressed. But for now, the soundtrack on both DVD's are good. It's important to mention that although both soundtracks are clear for both version of the films and the good news is that the English version features a redub by Dietrich, as both films were shot simultaneously, as opposed to having different actors dubbing the main characters.But as mentioned, I hope that Kino Lorber will release this title on Blu-ray, especially since it is one of the few early talkies that is complete and in very good condition.SPECIAL FEATURES:"The Blue Angel: Special Two Disc Set" comes with the following special features:- Audio Commentary by Film Historian Werner Sudendorf - The audio commentary features Werner Sudendorf talking about the differences between the English and German versions of the film, the music and various shots and what happened to some of the talent and crew after the movie. Please note, there is long stretches of silence.- Scene Comparison - (3:18) Screen comparisons of a single scene between the German and the English version of the film and their differences and similarities.- Screen Test - (3:38) A screen test made of Marlene Dietrich in the Babelsberger Studios back in Oct. 1929.- Marlene Interview - (1:25) A 1971 interview with Marlene Dietrich in Stockholm in regards to "The Blue Angel".- Marlene Performances- (3:30) Featuring Marlene Dietrich performing "Falling in Love Again" (3:26) from a concert back in 1963 in Stockholm and a performance of "You're the Cream in My Coffee" (3:30) and "Lola" (2:14) recorded in London in 1972 as part of her "I Wish You Love" performance.- Trailers - Two theatrical trailers for "The Blue Angel". One from the '30s (3:42) and the other from the '60s (2:59).- Photo Gallery - Featuring still photographs and production stills for "The Blue Angel".- The Chronicles - A chronicle of the film being made through April 1929 through December 1930. Includes a few photos.- Facts & Dates - Text based production dates and credits.- Cast & Crew - Featuring images of the cast and crew which you can view via using your remote to go through various images.JUDGMENT CALL:"The Blue Angel" is a fantastic pre-code film in which filmmaker Josef von Sternberg combines German Expressionism but also utilizing Western sensibility in his film.And like many German films of the era, there is an air of darkness, moral descent and while it may seem as the film contains the banality of what has been done in German films, rarely do these films showcase a beautiful woman, a woman who is literally not wearing much (which definitely sent conservatives up in a tizzy) and as it was a von Sternberg film, its the unknown actress who has won the hearts of many viewers worldwide.That actress is Marlene Dietrich who didn't stick around to find out how the film would do in the box office. She packed up and left to America to embark on a career which she would be signed by Paramount and would headline many more films after "The Blue Angel".First, the performance by Emil Jannings is wonderful. As Dr. Immanuel Rath, he is your professor that is always strict and one who will not put up with anyone's guff. He is an intellectual and he is proud of his role as a professor at the local college. And as someone would think that Jannings is a man who is so strict and possibly sexually repressed, he is a man afterall and that is where is naivety gets the best of him.For an intelligent man, he has made a bad/desperate decision to go after a woman who probably has been around the block many times and a woman who literally offers nothing to him intellectually but perhaps only sexually. If not sexually, just a woman who appears to accept him for how he is and a man who has dropped his guard for the sake of companionship.As a viewer, you can sympathize with his decision. Many of the young men can only dream of being with Lola, but now this man is with the beautiful Lola.And it is Marelene Dietrich who is able to take the role of Lola Lola and give us a sense of intense sexuality and domination. From the moment Dr. Rath proposes to Lola and you hear this devious laugh, it is like the snake who has convinced Eden to take a bite of the apple, but in this case, it is Dr. Rath who chose to go the path of Lola, despite being warned and now she will take him on this journey to moral descent and over the years, we see this distinguished professor go from a strict intellectual to a ridiculous clown. No money, no respect and even lost any sympathy from Lola and those around him.And this is where Josef von Sternberg is able to capture with efficacy, the destruction of a man, all decency stripped and you can only watch and realized that this man, blinded by his love of wanting to be loved, wanting to find a beautiful companion, has literally thrown everything in his life that is decent, away.While the collaboration between Sternberg and Dietrich would lead to bigger things and better films, "The Blue Angel" is special for the fact that it introduced Dietrich to the world, it was an early German and English talkie but it is a film that was able to capture German filmmaking but with a filmmaker from America. "The Blue Angel" does have cinematic important and while loosely based on the more darker "Professor Unrat" novel by Heinrich Mann, the film was a big success in the box office and most of all, Paramount knew that having both von Sternberg and Dietrich together will continually bring home box office gold!And the fact that you do get both films on one DVD is awesome! It's one thing for Kino to push the English version of the film in its "Glamour Girls" DVD Box Set but for anyone who really wants to experience this film, those extra 10-12 minutes in the German version, do make a difference and you get the best of both worlds with having both German and English versions. Also, you get a release with audio commentary and special features!I can't emphasize that if anyone wants to see "The Blue Angel", the version to buy is this special two disc set. And until this release gets mentioned for a Blu-ray release, make no doubt about it, this is the definitive version of "The Blue Angel" to own.Highly recommended!

I love the work of Josef von Sternberg, and the seven films he made with Marlene Dietrich rank, in my opinion, among the masterpieces of the cinema. With THE BLUE ANGEL, released by UFA in 1930, von Sternberg set the general pattern: the meticulously designed mis en scene, the brilliant use of light and shadow, the nuanced performances, and of course, the potent eroticism of his leading lady. This remarkable work was followed by six more, all released by Paramount, all superb examples of cinematic art - MOROCCO (1930), DISHONORED (1931), SHANGHAI EXPRESS (1932), BLONDE VENUS (1932), THE SCARLET EMPRESS (1934), and THE DEVIL IS A WOMAN (1935). They're unique in that they tie into each other thematically and have certain psychological and motivational aspects in common. Together, the six Hollywood films form an arc containing a distinctly personal style and sophistication to such a degree, that in order to fully appreciate one, a viewing of the other five is essential. And yet, unlike a sequel, each can stand fully on its own.Although it started the professional collaboration between its director and star, THE BLUE ANGEL is a film that stands somewhat apart from the six that came after it. For one thing, it had a prior source having been based on Heinrich Mann's 1905 novel, "Professor Unrat". It was also produced in Germany by the UFA Studios as that country's first major sound release, which lent it considerable prestige. Every aspect about the production was given UFA's first class treatment. The great Emil Jannings starred in the role of a respectable but stuffy prep school professor brought to shame and disgrace because of his infatuation with a callous cabaret performer known as Lola Lola, played to perfection by Marlene Dietrich. Her languidly erotic rendition of "Falling in Love Again" whilst sitting provocatively on a barrel, her shapely legs sheathed in stockings, is one of the most instantly recognizable images in screen history. Mann was recruited to adapt the screenplay from his novel, sharing credit with Carl Zuckmayer and Karl Vollmoller. Assigned to direct was Josef von Sternberg, an artistic genius who had a string of successes back in America at Paramount with UNDERWORLD (1927), THE LAST COMMAND (1928, also with Jannings), and DOCKS OF NEW YORK (1928) - films still regarded as being among the greatest of silent cinema. Not surprisingly, THE BLUE ANGEL made Dietrich a major star overnight, winning her a seven year contract with Paramount, and launching her on a carreer that solidified her as one of the most legendary of all Hollywood actresses.Several years ago Kino released an excellent two-disc DVD set of the film, which includes the alternately filmed English language version and an array of bonus material. This latest Blu-ray release from Kino/Lorber contains only the original German version, but scanned at 1080p resolution it edges out the DVD overall. It must be appreciated that an 83 year old film as popular as THE BLUE ANGEL comes with some minor compromises when transferred to HD. The fact that it was in demand over the decades means the camera negative got worn out long ago in making prints, and subsequently even pristine prints became rare. That said, the newly remastered Blu-ray, transferred from archival 35mm elements by the Friedrich-Wilhelm-Murnau-Stiftung, looks fantastic. The sharpness and contrast levels are consistent, with a pleasing grain configuration that, thankfully, hasn't been digitally erased. The disc thus retains a visual integrity to its source, and the movie now looks as good as it's ever likely to look.THE BLUE ANGEL is among the iconic classics of world cinema and one that I personally cherish. For connoiseurs of this film there's no question to buy the Blu-ray upgrade, however keep the two-disc set for the English version.My highest recommendation.

My five stars are not so much for the film alone, which suffers ~ as did so many of Dietrich's early films ~ from a less than scintillating performance by her leading man, in this case the then internationally acclaimed star Emil Jannings, but for the iconic importance of the film, and for Marlene in all her erotic, glowing loveliness.As others have noted, the one to watch is the German version on Disc 2, which is superior to the English one. But there are valuable extras too, including a few brief clips of Marlene in concert ~ not that these can't be found elsewhere.The remastered sound and picture quality is remarkable, and the set as a whole is good to own.In truth, Marlene went on to make better films for her favourite director-mentor-lover Josef von Sternberg ~ for example Shanghai Express, Morocco, and barking mad but must-see The Scarlet Empress ~ but this started it all, though let's not forget that Dietrich already had a few valuable years behind her in both theatre and film, which surely contributed to her astonishing naturalness in her early films {before a certain stiff humourlessness crept in later, though you'll never find her overracting, merely lazily going through the motions in some unworthy movies}.Emil Jannings is both too fussy and tediously blustery as the English professor who falls disastrously for nightclub singer Lola-Lola {such an odd name!}, his old-fashioned declamatory style of acting shown up even more beside Dietrich's natural, easy presence {however minutely tutored by her director}.As I say, not the best of the delirious, unique Dietrich/von Sternberg thirties movies, but essential all the same.Falling in love again? You bet.

I made the mistake of watching the English version of this film first and was extremely disappointed: the soundtrack was appallingly worn and indistinct and I could hardly believe it had been digitally remastered. I then watched the German version, and what a difference. The sound was markedly superior and I could see how the English version had even butchered some of the original film, missing out scenes. The script was even different in parts. Having seen the original I can see why the film is so celebrated...it is a superb example of the kind of thought provoking, experimental film work which made Weimar Germany so famous. The film is very sophisticated in many ways, though at first the sophistication is easily missed....the symbolism, for example, of the dead bird in the cage...later echoed by a chirpy live one in Lola's bedroom...and the sad clown....only with hindsight do we see that that is what Professor Rath is to become...only with hindsight, too, can we see how existentialist the film is....Rath is defined by the role he pursues as Professor...albeit as much an entrapping one as the cage is to the dead bird...which foreshadows Rath's own death at the end of the film. With hindsight, we can also see how relevant the themes were to Germany after the first world war...having lost its identity as the militarily proud Prussian superstate, victor of the French Empire in 1870, and having failed to find a new one. And with hindsight we might also anticipate the new identity to come...with Hitler just around the corner. What a pity that the subtitles were messed up...it's this kind of lack of attention to detail which should surely not be in evidence in art films like this?

I have liked this movies since I got a 16mm copy back in the 1970s in both German language & later English language version. I have since had a Laserdisc, DVD and now a Dual Format Blu Ray?DVD set from UK. The German language version has been restored but the English language version is still a bit rough, a sign of the surviving materials. There are extras like a trailer and a screen test with the star Marlene Dietrich and some Dietrich concert material round out this release. Also in the film is actor Emil Jannings playing a college professor who checks out the rough club Lola(Dietrich) sings and dances in after seeing post card that had some fluff glued to the panties of the girls and a whiff of air blows up the fluff. The Prof falls for the young Lola marries her and gives up teaching and joins the show!!!!! A lover of Lola is the matinee idol Hans Albers who had been on the stage with Dietrich. Also in the film(at Ufa in Neubabelsberg) was Kurt Gerron who died in a concentration camp in the 1940s.Dietrich used to tell reporters that she had made no films before this one but this is far from true and I have some of them.There is said to be a French version made at the same time but I can find no trace of it. Dietrich was fluent in French & English by the time she made this film, her last in Germany and on he day the film was released on April 1 1930 she was on the way to New York and Paramount to join Angel's director, Josef von Sternberg who had been on loan to Ufa for the film.

For all the mythmaking about Dietrich, the surprisingly rarely revived The Blue Angel actually rests on Emil Jannings expressive shoulders, offering yet another of his great men laid low, in this case by the love of a bad woman. It's good but somewhat overfamiliar, and it's surprisingly overlong - not fatally so, but enough for your attention to be stretched at points. Jannings has a field day, although it's strange to note what an influence his performance seems to have had on British TV comedians: his cockcrowing nervous breakdown at the end conjures up images of Little Britain while his mooning reaction to Falling in Love Again seems a virtual template for Benny Hill.Both versions of the film are included on the 2-disc DVD and both are well worth a look. The far from negligible, slightly shorter English-language version has better dialogue and Dietrich seems a lot more confident with English than German, especially in the musical numbers, although Hans Albers' accent is quite horrible and the scene where the Prof loses his job seems less convincing stripped of almost all of its dialogue. But the German version has the edge for allowing just a little bit more room for the camera to catch the odd subtleties.An impressive collection of extras (including some painful live performamces from an elderly Dietrich, a very brief 1971 interview clip as well as her original screen test for the film and original and reissue trailers) are included. Most of these are carried over to Eureka's Masters of Cinema Blu-ray, which includes both cuts of the film but replaces the original audio commentary by Werner Sudendorf on the German cut with a new one by Tony Rayns and adds a video essay by Tag Gallagher and a 48-page booklet with an account of the making of the film by Von Sternberg, but loses the DVD's scene comparison, stills gallery and copious onscreen production notes.

This was purchased to compare with the remake of 1959 which I have seen and from first looks this originalwill stand up and be interesting. Although of course it is of its time and must be judged with that in mind......