Zootopia

We rented Zootopia 2 and really enjoyed it! It’s fun, lighthearted, and has a good mix of humor and a positive message. Great for kids, but still entertaining for adults too. The characters are lovable, and the story keeps you interested the whole time.

Super funny and cute. Good for the whole family

Cute movie, recommended for fans of the first film. First film is better, but for a sequel, is worth the watch for both kiddos and parents.

One of the funniest kid movies ever. The adult puns in it are so good. We find ourselves using them as well. Our number 1 pick for a family movie night.

Love this movie! Great family time

Funny, creative, and not too computery. I really enjoyed this movie. However, it did get a lil' preachy. And it's going to be on Netflix next month, so you may want to wait on this one. Here's ebert's review; I can't do any better than him. Fantasy films aimed at kids don’t have to have political messages, but when they do, they should either be internally consistent, or work through the contradictions in terms that kids can apply to the real world. “Zootopia,” a fantasy set in a city where predators and prey live together in harmony, is a funny, beautifully designed kids’ film with a message that it restates at every turn. But if you think about that message for longer than five minutes, it doesn’t merely fall apart, it invites a reading that is almost surely contrary to the movie’s seemingly enlightened spirit: discrimination is wrong, but stereotypes are stereotypes for a reason, and it’s not easy for members of a despised class to overcome the reasons why the majority despises them, so you gotta be patient. WATCH NOW Ginnifer Goodwin (“Big Love”) voices Bunny Hops, a small town rabbit who’s told that she can’t be a police officer in Zootopia because there’s never been a rabbit police officer. (The job tends to be done by predators and large herbivores—like a water buffalo that’s become a police captain, voiced by Idris Elba.) Hops makes it through police training anyway and gets assigned to meter maid duty, to the relief of her carrot farmer parents (Bonnie Hunt and Don Lake), who gave her fox repellent as a going-away present. They had good reason to give her fox repellent: the fox is one of the rabbit’s mortal enemies, and when Judy was child, a fox cornered her at a county fair, insulted her for being a bunny, and slashed her face with his paw. (This is a slightly more intense kid-flick than you might expect, given how many adorable animals are in it.) Of course Hops ends up partnered with a red fox named Nick Wilde (Jason Bateman), a small-time hustler who reluctantly helps her investigate the disappearances of a dozen predators. I won’t reveal exactly what the mystery is here (it’s a pretty good one) except to say that it invites kids and parents to talk about nature versus nurture, and the origins and debilitating effect of stereotypes. But this turns out to be not such a great thing once you get deeper into the movie. Because people are not animals, I dread thinking about the “logical” conclusions to which such conversations will lead. The film isn’t wrong to say that carnivores are biologically inclined to want to eat herbivores, that bunnies reproduce prolifically, the sloths are slow-moving (they work at the DMV here), that you can take the fox out of the forest but you can’t take forest out of the fox, and so on. If you think about all this as an analogy for the world we live in (particularly if we live in a melting-pot big city like Zootopia) and and then ask yourself which racial or ethnic or societal groups (cops, businesspeople, city bureaucrats) are “predators” and which are “prey” (for purposes of metaphor translation), you see the problem. "Zootopia" pretty much rubber-stamps whatever worldview parents want to pass on to their kids, however embracing or malignant that may be. I can imagine an anti-racist and a racist coming out of this film, each thinking it validated their sense of how the world works. “Zootopia” is constantly asking its characters to look past species stereotypes, and not use species-ist language or repeat hurtful assumptions. “Only a bunny can call another bunny ‘cute,’” Hops warns a colleague It’s filled with moments that are about overcoming or enduring discrimination. “Never let them see that they get to you,” Wilde advises Hops. And there are acknowledgments of the destructive self-hatred that discrimination can cause. Many of the animals make self-deprecating jokes at the expense of stereotypes about their species (such as Hops volunteering to do math for Wilde, telling him, "If there's one thing we bunnies are good at, it's multiplying"), and there's a fairly intense flashback which reveals that Wilde became a hustler because other animals hazed him as a pup while repeating anti-fox stereotypes, and responded by embracing his species' caricature and becoming the foxiest fox anyone had seen. This all seems clever and noble until you realize that all the stereotypes about various animals are to some extent true, in particular the most basic one: carnivores eat herbivores because it's in their nature. (Yes, readers, I know, there are tigers who've been taught to snuggle with lambs, and I've seen the same memes with cats and dogs snuggling that you have; I mean in general.) It might seem weird that I’m dwelling on this aspect of “Zootopia,” which is directed by Byron Howard & Rich Moore and co-directed by Jared Bush, because the movie is entertaining. The thriller plot, which borrows rather generously from “48 HRS” and every cop drama involving governmental conspiracy, is smartly shaped It’s hard to imagine any child or adult failing to be amused and excited by parts of it. The compositions and lighting are more thoughtful than you tend to get in a 3-D animated film starring big-eyed animals who speak with the voices of celebrities. And there are a few sections that are transportingly lovely, in particular any sequence involving the pop star Gazelle (voiced by Shakira), and Hops' high-speed train ride towards and through Zootopia, which introduces the city's different terrains (including frozen tundra and misty rainforest) while leaving room for subsequent bits of spelunking (a foot chase through rodent town lets Hops know what it feels like to be a giant). Some of the biggest laughs come from obvious gags that you know the writers couldn't resist, such as the bit where Idris' water buffalo captain says they can't start the morning briefing without acknowledging the elephant in the room. If you decide not to think about the metaphor that the film is built around, it's an enjoyable diversion, made with great skill. Still: is it too much to ask that a film that wears its noble intentions like a jangling neck collar be able to withstand scrutiny? If "Zootopia" were a bit vaguer, or perhaps dumber and less pleased with itself, it might have been a classic, albeit of a very different, less reputable sort. As-is, it's a goodhearted, handsomely executed film that doesn't add up in the way it wants to.

Funny and hilarious! Great movie for the kids.

Zootopia is not only my favorite Disney movie, but also one of my top favorite animated films. I watched the first one maybe 20 times already, and although I never expected a sequel, I prayed for nearly a decade for one. And here it is!! It's kind of baffling as to why Disney and the movie industry in general fail to make good movies as of late, but here it is, out of nowhere, they release Zootopia 2, and it is as great as the first one. With that said, I must point out, the world building, character development and overall pace of the first movie is far better. Yes, being a sequel, you can't really repeat the same, and Zootopia 2 simply expands on what the first movie established. My only critique is the pacing, as mentioned above. This movie seems to go a bit too fast and stuck in the "Raising Action" side of the plot structure. Other than that, it was a fun film. I love the characters, I love the world they live in and I love the superb animation. I'll be watching it another dozen times.

This movie is a masterpiece!! The plot, the animation, the characters were stupendous & it became the fourth animated movie to cross the 1 billion dollar mark at the box office! This actually deserved that. It also won the oscar for the best animated movie👍. The re-watchability factor is great & i watch it once in a while. The bluray is superb, colour saturation is top notch but one thing is that although the cover says ZOOTOPIA but in the movie the term is replaced by ZOOTROPOLIS which is fine! Do watch this gem if u haven't already 😍

Sou muito fã das animações da Disney, mas quando ouço que ator, apresentador e ou cantor são chamados para dublar seus filmes, fico com um pé atrás. Mas, esse não é o caso. O Rodrigo Lombardi já era dublador então dispensa comentários, mas a Monica Iozzi me surpreendeu positivamente. O filme é muito legal e as crianças amaram!

綺麗です。

Wow, se lucieron, yo creí que llegaría sin slipcover (incluso en las imágenes del producto aparece como si no lo fuera a incluír), pero llegó en muy buen estado. Me encanta el slipcover con relieve. Disney USA se luce con sus ediciones en Blu-ray, mucho mejor que las ediciones sin chiste que editaba Cinecolor aquí en México. Incluye dos discos (sin arte. Un disco blanco para el DVD y azul para el Blu-ray) y una copia digital que, no solo no es válida fuera de Estados Unidos, si no que al parecer ya está vencida, pero no me molesta porque nunca canjeo las copias digitales.

DVDとブルーレイは日本のもので問題なく再生可能です デジタルデータのコードは使えません おまけの動画も素敵でした