Product Description With her latest exciting album Mish Maoul, her career comes full circle to touch base with her roots. The new album harks back in its sound and traditions to the music she grew up hearing in the Moroccan suburb of Brussels, particularly when the Golden Sound Studio Orchestra of Cairo makes its entrance. It also reunites her again with the Temple of Sound's Nick Page aka Count Dubulah, with whom she first worked in Transglobal Underground and who helped produce her very first solo album Diaspora (and many subsequent collaborations). .com One of the original global pop divas, Natacha Atlas has long combined Middle Eastern and Western musics. Her sixth solo album is very much a continuation of works past. She continues to maintain links with her old band (Transglobal Underground's Count Dubulah produces), and she continues to add traditional and modern influences as need be. One particular standout moment is Atlas's sensual performance as she rides a straight-up bossa nova groove on "Gnanwa Bossanova," but equally strong is the slightly cheesy "Bathaddak," which sounds like it could be piped out of a cassette stall in a North African casbah. Those looking for her cosmopolitan trip-hop vibe certain will be satisfied with opener "Oully" or the menacing-sounding "Hayati Inta." No matter the genre, however, the singer really sounds best in the stripped-down arrangements here where it's her voice that exudes nuance and mood instead of counting on the accompaniment to fill in those blanks. --Tad Hendrickson
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